Tag Archives: Radha Mohan

@Brindhaavanam – Movie Review

Brindhaavanam’ directed by Radha Mohan is the story of Kannan – a youngster who is deaf and dumb. The film is a feel good drama, for which the director is very well known for. As like the other films of Radhamohan, there is a lot of importance for relationships and emotions in ‘Brindhaavanam’ too.

Radhamohan’s trademark style of humour and sentiments works at most scenes, except for the overdose here and there. The casting has been a very big plus point. Arulnidhi has tried to justify his presence in the role as much as he can; he fits in perfectly as the innocent and ever-smiling Kannan. Tanya who was seen very much underutilized in her debut film ‘Bale Vellaiyathevaa’ has got ample scope to perform in this film, which she has used very efficiently – the interval scene and some scenes in the second half does speak of her potential. Comedian Vivek who appears as himself in the film comes in a very pleasant and lively role in the film, which has been one of the biggest USP. Except for some silly one-liners like ‘Vaazhkai oru vaazhakkaai madhiri’ or ‘Ippodhan en manasu pal set kazhattina paati madihri, free ah irukku’, Vivek makes the audience laugh in a number of scenes. This will be remembered as one of his best roles in his career, and most of the scenes in the first half are like a dedication to him since Arulnithi comes as an ardent fan of Comedian Vivek in the film. M.S.Bhaskar is seen delivering a brilliant performance once again.

The first half of ‘Brindhaavanam’ is beautiful with a handful of heart-warming moments, whereas the second half has an intense flashback after which the film gets middling for a while. The pre-climax and the tediously protracted ending do test our patience to a large extent. The film does have some striking dialogues such as ‘Naama vaazhkkaiyila sandhikkura sila per, Naama vaazhkkaiyila izhandha sila perai gnaabagapaduthuvaanga’ and the conversation between M.S.Bhaskar and Tanya at the church in second half. Radhamohan’s signature style humours like ‘Enga veettula 5 per 5 phone vechirukkom… Apdiyum lonely ah dhan irukkom’ and ‘Pesurathukku phone kuduthaa, Vilaiyaada Candy Crush ketkuriyaa?’ are there in every scene.

Vishal Chandrasekhar’s background score and Vivekanand’s cinematography has been an uplifting feature in the movie. The second song ‘Yaar Nee Yaaradaa’ was good, whereas the other two songs were absolutely needless. The other minuses in ‘Brindhaavanam’ are the over-dramatic characterization and acting of characters like Thalaivaasal Vijay and Subbu Panchu (despite the fact that the scene between Subbu and his daughter was emotional), the film moving episodic at a point of time and the overdone melodrama and unfunny jokes in few scenes (especially towards climax).

Brindhaavanam’ might not be as great as Radhamohan’s ‘Mozhi’ or ‘Abhiyum Naanum’, but a pretty decent drama that is worth a watch!

– Rahman

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