Tag Archives: Vishal Chandrasekhar

@Rangoon – Movie Review

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‘Rangoon’
directed by Rajkumar Periyasamy (former assistant of Director A.R.Murugadoss), is an action drama thriller that has Gautham Karthik in the lead role. The film primarily revolves around the illegal trading and black market gold business in North Madras.

Director Rajkumar Periyasamy has tried to present an interesting crime thriller and has managed to be successful in it. The director does impress in the efforts he has put to make the film as authentic as possible – say the research done to collect information related to the Gold smuggling & the Black market for Gold in India, the Hawala money laundering and the transfer service brokers. Right from the beginning where the protagonist narrates his past from Rangoon and describes about his childhood, surroundings and friends, everything looks genuine. The director has made sure that the protagonist’s locale, the characters and ambience are all believable and relatable for the audience.

Even though there are a number of characters, the director does not spend much time for their character introduction – but still, he assures that every other pivotal character does leave an impression. The pre-interval Rangoon scenes and the kidnap episode in the second half have been well-directed. Even the twists and turns are neatly placed and not thrown on the audience face just for the sake of it.

The film has a good share of emotions, humour and action – but nothing out of the script, that is where the director scores! The love track and the heroine alone do not help the script by any means, but still those scenes aren’t boring either. The dialogues are quite simple and straight such as ‘Porakkurathu easy, Saagurathu adhai vida easy.. Renduthukkum naduvula vaazhurathu dhan kashtam’.

Gautham Karthik has done his part very well, giving the audience no chances to complain at all. Next to his debut film ‘Kadal’, this is one film where he had ample scope to perform; ‘Rangoon’ might probably be the first ever hit film in his career. Malayalam actor Siddique is just amazing as Gunaseelan, delivering a very subtle performance. Lallu who was already seen in films like KTVI & 8 Thottakkal seems to be a very promising artist. Daniel Annie Pope and the television actor who appears in the role of Kesavan had roles that of very high importance which they had utilized perfecttly. The brilliant cinematography by Anish Tharun Kumar and the songs and the elevating background score by Vikram RH & Vishal Chandrasekhar do contribute a lot to the film.

‘Rangoon’ is not a flawless film; it has some minor flaws and pace issues here and there. But, the end product is a recommendable entertainer that stands out because of its presentation.      

– Rahman

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@Brindhaavanam – Movie Review

Brindhaavanam’ directed by Radha Mohan is the story of Kannan – a youngster who is deaf and dumb. The film is a feel good drama, for which the director is very well known for. As like the other films of Radhamohan, there is a lot of importance for relationships and emotions in ‘Brindhaavanam’ too.

Radhamohan’s trademark style of humour and sentiments works at most scenes, except for the overdose here and there. The casting has been a very big plus point. Arulnidhi has tried to justify his presence in the role as much as he can; he fits in perfectly as the innocent and ever-smiling Kannan. Tanya who was seen very much underutilized in her debut film ‘Bale Vellaiyathevaa’ has got ample scope to perform in this film, which she has used very efficiently – the interval scene and some scenes in the second half does speak of her potential. Comedian Vivek who appears as himself in the film comes in a very pleasant and lively role in the film, which has been one of the biggest USP. Except for some silly one-liners like ‘Vaazhkai oru vaazhakkaai madhiri’ or ‘Ippodhan en manasu pal set kazhattina paati madihri, free ah irukku’, Vivek makes the audience laugh in a number of scenes. This will be remembered as one of his best roles in his career, and most of the scenes in the first half are like a dedication to him since Arulnithi comes as an ardent fan of Comedian Vivek in the film. M.S.Bhaskar is seen delivering a brilliant performance once again.

The first half of ‘Brindhaavanam’ is beautiful with a handful of heart-warming moments, whereas the second half has an intense flashback after which the film gets middling for a while. The pre-climax and the tediously protracted ending do test our patience to a large extent. The film does have some striking dialogues such as ‘Naama vaazhkkaiyila sandhikkura sila per, Naama vaazhkkaiyila izhandha sila perai gnaabagapaduthuvaanga’ and the conversation between M.S.Bhaskar and Tanya at the church in second half. Radhamohan’s signature style humours like ‘Enga veettula 5 per 5 phone vechirukkom… Apdiyum lonely ah dhan irukkom’ and ‘Pesurathukku phone kuduthaa, Vilaiyaada Candy Crush ketkuriyaa?’ are there in every scene.

Vishal Chandrasekhar’s background score and Vivekanand’s cinematography has been an uplifting feature in the movie. The second song ‘Yaar Nee Yaaradaa’ was good, whereas the other two songs were absolutely needless. The other minuses in ‘Brindhaavanam’ are the over-dramatic characterization and acting of characters like Thalaivaasal Vijay and Subbu Panchu (despite the fact that the scene between Subbu and his daughter was emotional), the film moving episodic at a point of time and the overdone melodrama and unfunny jokes in few scenes (especially towards climax).

Brindhaavanam’ might not be as great as Radhamohan’s ‘Mozhi’ or ‘Abhiyum Naanum’, but a pretty decent drama that is worth a watch!

– Rahman

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Sangili Bungili Kadhava Thorae – Movie Review

‘Horror Comedy’ has been the most irritating genre in the past 4, 5 years. ‘Sangili Bungili Kadhava Thorae’ is yet another underwhelming film to join the list of the dull, unexciting, monotonous horror comedy films. Point out anything from this film ‘#SBKT‘, that is a cliché for you. The director has been extremely lazy in trying to write a horror movie script and a lot more lethargic in the way he has presented it.

Every single person in the cinema hall knows what he is going to see in this horror comedy film – a haunted house where the protagonist and his family gets into, a flashback about why the spirit is doing this, how the hero gets rid of it. Doesn’t a writer have the responsibility of trying to present it interesting in the least possible way? The film evokes laughter rarely in bits & parts, with a ‘beaten to death’ ghost story formula that we see in franchises like ‘Muni’ & ‘Aranmanai’.

One loses interest in the very first scene which is highly dramatic and tries too hard to be authentic, followed by an amateurish photoshopped title card (which has pictures taken from Google and films like ‘The Grudge’ 😂😂) – yes, that’s the maximum creativity you can expect from this director.

The 2 flashbacks (one in the first half and the other in the second half) were interesting, though it could have been presented in a better way. There are some interesting ideas in the film here and there, and some instantly hilarious comedy scenes (4 or 5 such scenes). Other than that, ‘SBKT’ is filled only with comedy scenes that aren’t helping the script in anyway and horror scenes that are so dumb and highly annoying with cheap thrills. The cheesy romance episode and the kuthu song in the 2nd half that comes out of nowhere, adds to it. Vishal Chandrasekhar who had done a terrific job in ‘Jil Jung Juck’ & ‘Kuttram 23’ has disappointed heavily in both the songs and background score of ‘SBKT’.

One thing that I always wonder is how does actors like Jiiva and investors like Fox Star Studios choose such substandard products. Do they at least read the bounded scripts of these films?

‘Sangili Bungili Kadhava Thorae’ is an insincerely made humdrum horror comedy! It could be worth an one time watch if you are someone who don’t really worry about mindless entertainers. There are chances that this weary entertainer might also become a hit, and therefore creating more demand for ‘Aranmanai 3’ ‘Muni 4’ or ‘Shivalinga 2’!

– Rahman

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Kuttram 23 – Movie Review

‘Kuttram 23’ directed by Arivazhagan is an intriguing crime thriller, based on the Rajesh Kumar novel of the same name. The film’s crux deals with the topic of ‘Artificial Insemination’ and on how does the medical advancements are being used to exploit people in the name of ‘Fertility Hospitals’.

The film which begins as a simple investigative thriller circling around a murder in a church, then follows a chain of mysterious suicides ending up in a very big scam. In today’s world where diseases, treatment and medicines are seen just as a business, ‘Kuttram 23’ is a much needed movie. The film doesn’t speak about this topic alone, but also on the mental pressure put on married couples to give birth to a child as earliest as possible. The director should be highly appreciated for putting forth a question about going behind artificial fertility methods rather than adopting one out of the lakhs of homeless / parentless kids in our country.

Director Arivazhagan has been so intelligent on making a perfectly woven medical thriller, without a mass hero and unnecessary buildups; the narration stays focused till the end. The director has been very clear on what his script needs and what could really make it a better product. Even though the romance episode is nothing new or refreshing, we don’t feel bored or uneasy anywhere. On the flip side, the final moments alone looked so rushed once Vettrimaaran finds who is the accused.

Arun Vijay’s looks as a fit cop, his measured performance and arresting screen presence makes us wonder if this ‘handsome hunk’ had chosen scripts like ‘Thadaiyara Thaakka’ & ‘Kuttram 23’ consistently all through his career, he would have been a top actor undoubtedly. Nevertheless to say, he needs to work a lot more on his reactions and expressions in some simple scenes (say the scene where he knows that his sister in law is conceived). The lead female actor Mahima Nambiar, her acting and expressions are indeed a treat to watch; it is she who makes the romance scenes in this film enjoyable to extent (wish that she does many more memorable roles). Arivazhagan’s films are much known for extraordinary visuals and arousing background score – cinematographer Bhaskaran and music director Vishal Chandrasekhar’s work has contributed to it efficiently.

Director Arivazhagan has done perfect justice to the crime thriller novel of Rajesh Kumar. ‘Kuttram 23’ can be called as the second best of Arivazhagan, next to ‘Eeram’. A highly recommendable thriller! 

– Rahman

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